Sculptural Process / Recording Time

Fragments of original graphite drawings photographed in long exposure as one assemblage.
These works describe a series of transparent clay pots that resemble ghosts and deal with the subconscious space of drawing. Inside the body of the pots, there are additional smaller pots that carry sound bodies, letter shadows and drawings. The series of hand-made pots were placed near the artist's studio window in Tel Aviv, for the purpose of drawing and photographing the work Kelim, which is characterized by an eternal waiting dimension, existing outside of time.

The original drawings were physically torn and reassembled in a way that hides the details of the repair, which creates a subconscious space that acts as another step in the operation of the Liquid desert site in the Negev. The work deals with the disappearance of time and the disappearance of the object from the space of existence which creates the presence of shadow traces as an intermediate space. Cad-Ot acts as an image of a mute vessel that is on the verge of dissipation on the one hand, and appears in its equally renewed form on the other.