Sculptural Process/Recording Time
Clay pots, ink drawings, indoor installation – the artist's studio window, long exposure photography, archival pigment print. The sculptures were all made of clay and
carefully drawn with images of a swamp in northern Germany, as reflected by the artist's eye.
This work is one of the core chapters from the Liquid Desert Project; Chapter No.2.

The vessel prints deal with different physical states of the mute witnesses through images of clay vases made by Sasportas, which are characterized by an eternal waiting dimension – a waiting for the moment at which information that has been repressed will be felt, confirmed and re-included in the emotional narrative of events, especially those which verbalize the personal as well as the
collective historical timeline. The principle of returning what has been lost is deeply associated with the amendment path in traditional Judaism and is at the basis of the artist’s creative thought and work.

The essence of the Liquid Desert Project deals with the archaeology of the subconscious and the unseen. The workspace functions as a cinematic site and is built as a complex and unique architectural structure. The Liquid Desert Project embodies a purified, profound phase in Sasportas’s work; she has been engaged for years in mapping the personal and collective subconscious space through drawing, sculpting, and sound works, which serve as fragments of a mute and essential testimony in space.

*Kelim - vessels in Hebrew